A big surprise
It felt like Christmas when a huge box full of watercolor paint tubes unexpectedly arrived at my door… Half an hour later a caterpillar of tubes containing lush watercolor paints lay on the dining table in order – screaming to be swatched and painted with.
Over a hundred
I bet you can imagine I was over the moon happy and before long my girls came drewling over the 108 tubes of yumminess too, choosing the colors they wanted to try themselves, hoping they could tubenap a few to their rooms for a bit of fun… The full Rembrandt collection is 120 colors, so only twelve were missing. In my old Rembrandt collection ten were missing and I’d been meaning to order those for review purposes anyway, so for this occasion I slaughtered my piggy bank completed the collection for a swatch and review.
The paints arrived quickly and I made a swatching video of it in 4 parts. Below you will find the videos and color charts of the full collection, so this is going to be lush and long post. You might like to get yourself a cuppa of whatever and make yourself comfy for some relaxing and exciting color therapy! This is going to be GOOD!!!
Make way to the oldies
For starters I want to share my old collection with you, because it was already a superb watercolor palette to work with and I think the brand deserves more love than it gets. I’d been meaning to do a full review for years because it’s in the top range right next to Horadam, Sennelier, Daniel Smith and Winsor & Newton Artists’
This is the color chart of my “old” collection. The colors that are striked through are no longer available (unless old stock) and those that have an “I” in them, have been improved and are made of the same pigments, but often from a different distributor and now look a bit different.
A belated surprise
The Rembrandt watercolor collection was renewed to celebrate the 120th anniversary of the brand a little while ago. This actually happened a little while back, but with me having lived under the pavement for a while and a local art store that probably carries a lot of old stock still, it went by me unnoticed. That is to say, I had noticed new shimmery colors, I had just never realized the entire collection had been renewed.
There’s always cause and effect
Finding out was a Yay! and a Darn! at the same time. Yay! because at first glance the new collection looked like a much improved version of the old one. And Darn! because this meant I wasn’t missing 10, but a whopping 54 colors and I would still not be able to swatch and review the entire Rembrandt collection. Here is a little vlog about that:
I contacted Talens about their new Rembrandt collection and enquired about the changes in their collection. They sent me this lovely brochure that shows the colors of their range and explains the changes in the collection, which came in really handy for me in this swatching and reviewing process. The brochure is available online in various languages if you’re interested.
Apparently, my disappointment didn’t go unnoticed and a few days later I was surprised (by a benefactor who wishes to remain undisclosed) with the delivery of the larger part of the new collection so that I could do the full review anyway. I expressed many thanks and sat down to make a plan. The best thanks is a thorough showing of this range, after all. But 120 colors is A LOT OF work and sure require a plan, all right!
I started with a color chart + swatch video of my old collection for comparison. The color chart is at the top of this post and this is the video:
During the recording a delivery guy brought the twelve missing colors of the new collection. So once the color chart of the old collection was ready, I finished the dot cards of the new collection. I decided to chop the video up into four equal parts of 30 colors to keep the videos of a manageable duration. Below you will find the videos and the color charts. If you click on the color charts, it will take you to the larger image files. Do give them a little time loading because they are very large files.
A word on color
A little word of caution: I have done my best to match the colors of the scanned images with the colors as they are in reality. But on their way from my computer to yours, a lot of the digital informationi gets morfed and lost due to settings on each of the technical appliances have. This means the colors will probably be different for you than they are for me. Therefore they are only an indication to help you get an impression of this collection of paints, but can hopefully be helpful in determining which colors you might like. This is also why I record the process of swatching on video – to give you extra information on the colors and the results to help you get an idea of what to expect when you decide to try a color.
Rembrandt watercolor 1 of 4: white, yellow, orange and red
Rembrandt watercolor 2 of 4: red, pink, purple and blue
Rembrandt watercolor 3 of 4: blue, green and earth tones
Rembrandt watercolor 4 of 4: brown, black and sparkle
NB: This is not a commercial or affiliate review. My review of the brand is a real and indpendent sharing of my personal experience with this paint. None of the links above generate an income for me.
Covid-19 isolation brought new flow and I’ve been practising and working on new paintings and sketches incessantly for weeks now. I keep forgetting to update my blog and website, so I figured it was high time to show you some of my latest work, if you haven’t already seen it on social media.
Social media comfort versus blog effort
I don’t really want to post that much and that quickly on social media. This is my online home and I feel this is where I should be posting most and first. But the reality is that it’s too easy to photograph and post on insta and facebook and not that easy to post here. It never used to be a problem before these social media platforms existed. But now that something easy is available,.. I was glad to read I’m not the only one, but I’ve promised myself I want to make an effort to turn things around. Do you recognize this?
Flow comes in eagerness to work, in inspiration and very literally, in watercolor. I’ve been painting so much that the muscles in my fingers sometimes hurt at the end of the day. I do take breaks, but then new ideas come up, or old ideas pop back to life in front of my mind’s eye. And slowly, but surely, I’m beginning to see that themes are returning more and more often. The paintings above and below are two good examples.
As are the two paintings below…trees. Whenever I start painting without a plan, a tree comes out. Sometimes a clean and simple tree like the Blue Tree.
The Web of Life
And sometimes an intricate Tree World like the one below. Beyond new medical developments that will undoubtedly arise from this Covid-19 crisis, the virus is showing us that everything is interconnected. Every living thing is part of the Web of Life. Every living being is a system within systems. Mankind focuses on technical progress whereas we can save ourselves and the world by learning to see the greater system and learning to approach challenges systemically. If you’re interested in the science behind this – REAL science, not fake news or clickbait “science” the social media are bombarded with – The Systems View of Life by Fritjof Capra and Pier Luigi Luisi might interest you. It’s an academic textbook, so it takes some hard work. But there are tons of YouTube videos that can help explain everything that is difficult for you. That’s how I worked through the book over a period of three months. Hard work. But vital if we want to make a change.
So, the Covid-19 crisis hasn’t only brought bad things. I had very different things planned for this year. I was going to look for a job. But all of a sudden I find myself submersed in my art and more productive than I’ve been in years. I find it a little awkward to feel happy about this, though. Although I do. Feel happy about this. But when I see the ever rising global Covid-19 statistics and the racial hate and growing division on social media, my happiness feels decapitated. And then there’s one best thing left to do…back to the drawing table!!!
So…back to the drawing table I’m going. Straight away! I hope you’ve enjoyed my update and if you have, please feel free to leave a remark. With all that noise going on on social media at the moment I’m looking forward to a much quieter, yet lively interaction here in my online home. You are very welcome to join me and take a little moment of quiet…
A not-so secret hermit in isolation
Dear reader, here’s a little word from the art cocoon….a blogpost about laying down feelings through experiments on paper. About how visual journaling helps me process confusing and difficult emotions in this covid-19 crisis.
You’re probably reading and hearing covid-19 all day long any day, so I won’t spend too many sentences on it. Social isolation isn’t too much of a problem for me. As an artist I have recluse super powers, so being solo in my studio isn’t that different from my normal life. And even though I don’t see my friends IRL, I talk to them regularly in videocalls and that’s actually pretty good.
Lonely, only in comparison
What kills me is that the world is returning to some sort of social normal and I can’t. There’s no problem in me being an involuntary hermit if “everybody else” has to be. But being in the risk group I’m beginning to feel left behind when” the whole world” seems to be getting back to their normal lives – together. So in that area I tend to feel a bit sorry for myself on off-days. Especially on days when a walk with the dog feels like running a gauntlet in trying to avoid people from getting close. Sidewalks and roads are getting significantly more crowded, you see.
But all that is still doable. And so what if I wallow in self-pity for a quarter of an hour or so? It’s an ugly sight, but nobody sees me do it anyway 😉 No, what I find truly indigestible at the moment is my facebook timeline wearing me out with fake news, conspiracy theories and rallies and petitions against covid-19 vaccination programmes. Some people who are not at risk and don’t know anyone who’s been ill from this virus do not seem to respect the situation. And that is hard. Very. Especially when it’s people who I used to have a lot of respect for. I have snoozed so many people the past weeks, but that kind of messages keep popping up and I’m beginning to deliberate a social cleanse…but before taking a decision, visual journaling helps me get rid of excess and not very helpful emotion.
Processing through visual journaling
These are many and difficult feelings that I can’t do anything with. Do you recognize any of them? And if you do, or if you have different, but equally tough and confusing feelings, how do you deal with them? Do you process them on paper? How does your process work? Supposing you already have a process for it, of course. If you don’t, you might like to read on and see if you can pick something from mine that might work for you…
What works best for me is to go visual and to throw myself at experiments. When I experiment with techniques and materials I don’t know very well, I cannot have any expectations of the final result, no standard I have to live up to. And that allows me the space I need to focus on the process of becoming aware of what goes on inside me and spilling it in on paper. It doesn’t have to be pretty, although, sometimes, in some way or another, it turns out that way because it’s raw.
The three images above are examples of such a visual journaling experiment. They are journal pages that are extremely different from what I normally do. They are visual rants about situations and feelings. The backsides contain rants in words that come up while I paint and draw. It feels good to release all of that energy and literally lay it down so I don’t have to carry it. After that I can work peacefully. I will show you the illustrations I’m doing at the moment later. Or…I can draw a silly version of my husband when he scratches his head over this new technique I’m flinging myself at and explain this is a technique Paul Klee used a lot and come up with a rather Simpsonian portrait of da husband himself….meeting Klee….
Developing an imagery
There’s no sense in wallowing in any kind of emotion. But denying them or tucking them away makes no sense either. Emotions ask to be acknowledged and the energy needs to be released – preferably in a constructive or at least harmless way. I am glad that I have learned to keep a visual journal and that I’ve developed an imagery that helps me do so. No matter how tough the situation is that I journal about at any given time, by releasing the emotional load visually, there’s also always some form of joy in the process of release. And that turns all bad things into someting less bad. And regularly I find it reveals the flee behind the elephant-sized shadow that seemed to haunt me.
Sometimes I wonder if all illustrators/artists process their feelings this way. I know a few who do. And I can recommend visual journaling to anybody, but especially to people who work visually. The imagery you develop in expressing personal story this way, is a HUGE asset in the job of illustration. But even if you’re not an illustrator or artist, the process to work through emotions this way is very helpful. Visual processing works very deeply in the mind in a very safe way. It allows us to express things we couldn’t possibly give words to. This makes room for complicated stuff and then helps release them. I will write about that more soon. But you don’t have to wait for my words…you can give it a try yourself, in the safe seclusion of your privacy, and see what it does for you.
And now it’s YOUR turn
Pick a technique or material you’re not very familiar with and draw your situation. Pretty is not the object. Unfolding and releasing your story is. See what comes up. And what it does for you. And if you’d like to share, I’d love to read it in the comments below or in a private e-mail. I will respond…
Inspiration and hard times
We can all do with an inspiration hack at the moment, can’t we?
It’s not easy, feeling inspired with an outerworldly situation going on around you or even very close to you. And yet, worrying doesn’t solve anything. As long as you take really good care not to spread contamination and as long as it hasn’t entered your home, the best thing to do, is to get into action. Any kind of action is good. Getting creative the best 😉 At least, you’ll have something to show for the day at the end of the day. Something like this, for example:
The get-busy inspiration hack
But…HOW do you get past apathy or anxiety and feel inspired again?
Well, it’s simple: just sit your bum down at a table with some paper, pencils and some paint and draw something. Anything!
Easier said than done? Okay, then here’s an inspiration hack that works for me every time I feel stuck. I also use it as a warming-up exercise after having finished a bigger project. Then I do this “something small”.
The trick? Borrow!!!!!!!!!!!
The principle is simple. You need instagram for this.
First, seek Instaspiration. You can do that in two ways: 1) you browse your instatimeline until you see an image of a drawing or painting that appeals to you. Save it. Or 2) look at the art supplies in front of you and type the most colorful one in instasearch and then browse until one image really appeals to you. Save it.
You do NOT need to feel you will be able to copy the art. This image your pick, will just serve as inspiration…as a starting point.
Point of reference
Then, take a pencil and draw a little square measuring about 6x6cm and make a super simple sketch of the image you’ve just saved. Below your sketch, try to write down what it is that appealed to you when you first saw this image. In my example I used the image above, of a painting by @ssarvari (Silvia Romeral) that appeared on my timeline. I fell for it because of the super vibrant green colors and the lady in the center of all these plants holding a book. Books and nature do it for me every time!
We’re not going to draw or paint exactly the same image. We’re borrowing, not copying.
So…the next step is to draw a new square of 6x6cm. And maybe you need a few of these squares to seek YOUR image.
Something borrowed, something new…
Think of which elements from the reference photo you want to transfer into your own image. What I wanted to take from Silvia’s work, was the girl being amidst plants and the super fresh green that reminds me of spring.
Think of what is your style.
If you don’t know your style or if you think you don’t have one, then ask yourself in what lies the difference between a drawing or painting of yours and the image you have before you. Keep those differences. MAKE them your style! It can be the media you use that is different; the color palette; the sort of lines you like using (if you use them at all). It can be the level of realism or detail n your work. It can even be the level of skill. If you are not yet very skilled, make your work “naive”…use the “lack of” skill to your advantage.
Part of your style is also the elements you keep drawing or painting. Or, if you don’t draw or paint that much, elements you would like to paint or draw. Bring one of those into your drawing. For me, it’s the tree. With the bark. With the texture. Like I did in a New Year’s design for a card, here.
And then purposefully incorporate something from the original image into your drawing/painting. In my case it’s the gouache flowers in a less textured style.
A balanced mix
If all’s well, you end up with a balanced (or not so balanced, but what the heck! You created something artsy, right? THAT’s what matters.) spin-off from another artist’s art. And if all’s well this process has made you think about the art of another artist and about your own work. My students often asked how they could get their own style, as if it’s something you can ‘get’. It’s something that will simply happen as you go and that you will only become aware of by reflection on your work with exercises like these. So copying is not just a good inspiration starter, it’s also a great tool for getting to know your own work.
“Listening to the wise tree” is available as an original. Not for prints, unfortunaitely because the background is golden and cannot be affordably reproduced. If you’re interested, you can contact me through e-mail.
Your turn to hack your inspiration
If this mini-tutorial inspires you to give this a go, I’d like to hear how it goes in the comments below. And, if you dare (and don’t be shy, there is no such thing as ‘bad art’, just budding skills) I’d love for you to share your image so that I can check out what you do.
Did you enjoy this inspiration hack / mini-tutorial? Then please consider signing up for MandyMail for future inspiration hacks.
On borrowing and crediting
If you use this hack and publish your work, it’s decent and attentive to at least credit the artist of the reference work. This is an obvious MUST if your work ends up being pretty much a copy. And should your end result be very far removed from the reference and looks nothing like it, like mine, it is not strictly necessary, but by doing this artists can support each other. Just think, if someone uses YOUR art to work from you’d like to be credited as well, right?
Many thanks to Silvia Romeral for her permission to publish her art here. Go check out her work!
How to keep your mind sane in this surreal time?
If you’re even the least bit like me, I bet the current news and quarantine have raised your stress levels at least a bit.
Being kicked out of your daily routine and having to refrain from social contact isn’t easy, but if we all keep to ourselves for a bit, we can help this corona crisis pass as quickly as possible. So, it’s never been more important to keep your head and heart light and clear than in a global crisis like this one. And even better…we can even use this time to add something valuable to our lives.
Whatever happens, today Spring has begun. And if anything, let this Spring be the symbol of hope and a promise of the better, sunnier times that are ahead.
But how do you keep your mind sane when you feel bored, stressed, annoyed, afraid or overwhelmed?
You keep busy.
You get creative.
And you go outside.
Even if you’re not allowed to go further outside than your own garden, than the little patch of green outside your apartment, than the road to the supermarket…in your closest vicinity you can still go outside. And where there’s an outside, there is nature. Even on balconies or in sidewalk cracks!
So…I propose a challenge!
Observe the nature that is your Little Big World for 10 days. Closely.
It’s super interesting.
It’s healthy to catch some fresh air.
It helps clear the mind.
It strengthens your sense of being connected with the world.
It’s great to do with your family.
It’s lovely to share.
So it’s a wonderful way to connect.
1 e-book, 10 days in The Little Big World
Join me and
and go outside!
Join the challenge now and join the facebook group. The coming weeks you will find more free inspiration there to stay active, creative and happy!
Important: when going outside, keep a distance of at least 1,5 m from anybody who doesn’t live in your house. Even on the beach, in parks, in playgrounds and in forests!!!!!
Lots of love, Mandy van Goeije
If you’ve been following me online, you may remember that sometimes the Universe really does deliver. A few weeks ago, two more wishes were spontaneously fulfilled. Sender? The Universe.
This year I quit online teaching in order to focus on my own art and writing. It felt as a big step to let go of such a big portion of what I used to call ‘work’.
What I needed, was a thorough studio clear out for a good start and overview. I had so many drawings and paintings stored that I couldn’t even open and close the drawers anymore. And on close inspection, it turned out my chest of drawers was in a near-death state. As I wasn’t very energetic myself since some virus had clutched my system, I sat down across my drawers a little feverishly, trying to think of a way to get new ones without a budget to spend.
Within 15 minutes the phone rang. My father-in-law was clearing out the attic of his work place and he had a steel cabinet with drawers for paper. Did I want it? You bet I wanted it. And the next day, when my husband went to help get it down and move it over here, I got another great call. They also found a fine professional, tilting drawing table there, the exact right size for my studio. Did I want it?
DID I WANT IT?!?!?! After my happy dance for the steel cabinet I had realized I needed to reorganize my studio to fit the giant piece of furniture in. And with that I’d realized I could do with some extra work surface for my watercolors to dry. But again, no budget, no extra work top. And there it suddenly was and I was doing another happy dance!
You know, I don’t really believe there’s a bunch of gods in the clouds, or even just one, who’s got things planned for us. Most times you just have to work really hard to get it and be inventive. But don’t you feel that sometimes the coincidence is so striking that for a little while you would like to believe it could be true anyway? Getting these perfect pieces of furniture for my studio, for free, just when I wished them…it felt like a warm and encouraging hand backing me up and urging me on. It felt really, really good.
After some firm lifting and shoving, I reorganized my studio and I’ve begun to work. First I finished a painting I’d started a long time ago and then chose another one to finish. That one’s almost done. And I went to a lecture about local folk and fairy tales. It was amazing and super inspiring. I will tell you all about that in another blog post some time soon. But what I can say is that it has inspired me straight into my sketchbook that I can’t wait to show… But for now, just a little new-worktop view of my watercolor work on my new drawing table.